The Same Ear
One novel began with Berlioz. The other began in a Cork taxi with a driver named Pat Winning. Both came from the same place—a composer’s ear that can’t stop listening for what isn’t being said.
One novel began with Berlioz. The other began in a Cork taxi with a driver named Pat Winning. Both came from the same place—a composer’s ear that can’t stop listening for what isn’t being said.
Eleven real Poe stories are hiding inside the novel, woven into the Paris of 1830. A reader’s guide to the Easter eggs—and the game of finding them.
I told my friends I wanted to write an opera. One of them said, “Just buy the book.” I took that as a challenge. Two operas, two novels, and a trilogy later, I still haven’t bought the book.
Nine words. That’s all it took to find the novel’s voice. Why The Year of Shadows begins with a man who hasn’t become himself yet—and why that matters.
Both men were outsiders, romantics, obsessives. Both transformed personal anguish into revolutionary art. Putting them together in 1830 Paris—solving murders while the seeds of detective fiction take root—felt inevitable